(USPS) Artwork for the 61-cent First-Class two-ounce stamp created by Kadir Nelson of San Diego, CA, features a portrait of Wright in front of snow-swept tenements on the South Side of Chicago, a scene that recalls the setting of Native Son. Nelson’s portrait of Wright was based on a circa 1945 photograph.
Richard Wright Immortalized on Postage
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APRIL 15, 2009
USPS

Author and former postal employee Richard Wright will be immortalized on a First-Class stamp tomorrow in the lobby of the Chicago Main Post Office on West Harrison Street when the stamp goes on sale nationwide Thursday, April 9, as the 25th inductee into the Postal Service’s Literary Arts series. Best remembered for his controversial 1940 novel, Native Son, and his 1945 autobiography, Black Boy, Wright drew on a wide range of literary traditions, including protest writing and detective fiction, to craft unflinching portrayals of racism in American society. Wright worked for the Chicago Post Office from 1927 to 1930 as a letter sorter.
Artwork for the 61-cent First-Class two-ounce stamp created by Kadir Nelson of San Diego, CA, features a portrait of Wright in front of snow-swept tenements on the South Side of Chicago, a scene that recalls the setting of Native Son. Nelson’s portrait of Wright was based on a circa 1945 photograph. Carl T. Herrman of Carlsbad, CA, was the stamp designer. One hundred million stamps were printed in sheets of 20.
With this 25th stamp in the Literary Arts series, the U.S. Postal Service honors author Richard Wright (1908-1960). Best remembered for his controversial 1940 novel, Native Son, and his 1945 autobiography, Black Boy, Wright drew on a wide range of literary traditions, including protest writing and detective fiction, to craft unflinching portrayals of racism in American society.
Richard Nathaniel Wright was born on Sept. 4, 1908, near Natchez, MS. During his childhood, he lived with various family members in Tennessee, Mississippi and Arkansas. At 17, after earning a grade-school education, Wright moved to Memphis, TN, where he held several menial jobs and made ample use of the public library.
Pretending to be checking out books for a white patron, he discovered the writing of journalist, essayist, and critic H.L. Mencken, whose works served as Wright’s introduction to literature.
In 1927, Wright moved to the South Side of Chicago, where he held a wide range of jobs to support his relatives, who also had migrated from the South. In Chicago, he wrote short stories. He socialized with artists, intellectuals, and activists and continued his self-education by reading the works of prominent American and European authors.
Determined to use literature to portray the lives of African Americans, Wright wrote Lawd Today!, a satiric novel about 24 hours in the lives of four Chicago postal workers. Inspired by the experimental language and literary techniques of James Joyce, Gertrude Stein, and T.S. Eliot, the novel was published posthumously in 1963 and was praised by some critics, including James Baldwin, for further revealing Wright’s range as a writer.
In 1935, when the Works Progress Administration’s Federal Writers’ Project began hiring writers to document regional and ethnic life in America, the Illinois Writers’ Project hired Wright to write essays and articles about African-American culture. During the late 1930s, Wright also organized the South Side Writers’ Group, whose meetings helped to inspire a flourishing of Chicago-based African-American writing between 1935 and 1950.
Wright moved to New York City in 1937. The following year, he published his first book, Uncle Tom’s Children (1938), a collection of short stories. As the title suggests, Wright saw the book as a response to Harriet Beecher Stowe’s Uncle Tom’s Cabin, with his stories about such subjects as lynching and mob violence offering a more stark view of race relations in the American South.
Wright gained national prominence in 1940 with the publication of Native Son, his controversial novel about a black man who accidentally murders a white woman. Native Son challenged readers to implicate society in the crimes of Bigger Thomas, a protagonist who believes that the murders he commits are acts of human freedom. Although many reviewers found Bigger Thomas highly unsympathetic, they nonetheless praised Native Son for its powerful and unflinching depiction of racism. Native Son became a Book-of-the-Month Club selection, and Wright received the prestigious Spingarn Medal from the NAACP. Still debated in high school and college classrooms, Native Son is often considered the strongest race-relations protest novel of its day.
Wright again gained national attention with his acclaimed autobiography, Black Boy (1945). While examining the omnipresent effects of racism, Black Boy also documents Wright’s childhood clashes with his family’s religion and his discovery of writing and literature as outlets for his own creativity and freedom. In an influential 1945 essay, writer Ralph Ellison compared Black Boy to the music of the blues and praised Wright for his ability “to evaluate his experience honestly and throw his findings unashamedly into the guilty conscience of America.”
In 1946, Wright was invited by the French government to visit Paris. He returned to France in 1947 and lived there for the rest of his life, enjoying celebrity status across Europe and publishing three novels. The Outsider (1953) was influenced by Wright’s interest in existentialism; Savage Holiday (1954) was a murder story that explored psychoanalytic theory; and The Long Dream (1958) focused on the difficulties of African-American life in Mississippi.
During his career, Wright also wrote numerous works of nonfiction. He provided a poignant narrative for Twelve Million Black Voices, a 1941 folk history of African Americans. During the 1950s, he published books about his travels in Ghana and Spain; he wrote a book-length report about an international conference of Asian and African countries; and he collected several passionate essays in the 1957 volume White Man, Listen!
Richard Wright died in Paris on Nov. 28, 1960, at the age of 52.
For further detailed biographical information on Richard Wright’s life, consult the following standard encyclopedia sources: Africana: the Encyclopedia of the African and African American Experience, second edition, Oxford African American Study Center; American National Biography online; MAfrican American National Biography, Oxford African American Study Center; The Concise Oxford Companion to African American Literature, Oxford African American Study Center; and the new edition of the Encyclopedia of African American History.
United States Postal Service: www.usps.com